Vox Tonelab EX Manuel du propriétaire Page 42
- Page / 59
- Table des matières
- DEPANNAGE
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
42
2. MULTI HEAD (MULTI HD) Mono In/Mono Out 1
This is a model of a tape echo unit boasting three
playback heads. The echo from each head has its
own feedback loop, letting you create warm and
complex “multi-tap” echo effects.
[1] "TIME" ..........................................1...2000 [ms]
Sets the delay time.
[2] "FEEDBACK"......................................0.0...10.0
* Adjusts the amount of feedback.
[3] "TONE" ...............................................1.0...10.0
* Adjusts the tone of the delay sound.
[5] "MODE" ...........................................1, 2, 3, 4, 5
Specifies the combination of heads that will be
used.
1: Conventional echo.
2: The delayed sound produces a
rhythm of “ta-ta-ta (rest).”
3: The delayed sound produces a
rhythm of “ta (rest) ta-ta.”
4: The delayed sound produces a
rhythm of “ta-ta (rest) ta.”
5: The delayed sound produces a
rhythm of “ta-ta-ta-ta.”
[6] "MIX"...................................................0.0...10.0
* Adjusts the mix amount of the delay.
3. ANALOG DELAY (ANALG DL)
...................
Mono In/Mono Out 1
This models an analog delay that used a bucket-
brigade device (BBD) instead of a tape mecha-
nism and was known for its compactness and
reliability. It is characterized by a warmly dis-
torted sound.
[1] "TIME" ..........................................1...2000 [ms]
* Sets the delay time.
[2] "FEEDBACK"......................................0.0...10.0
* Adjusts the amount of feedback.
[3] "TONE" ...............................................1.0...10.0
* Adjusts the tone of the delay.
[6] "MIX"...................................................0.0...10.0
* Adjusts the mix amount of the delay.
4. MOD DELAY (MOD DLY) ..Mono In/Mono Out 1
This models Korg’s first digital delay, the SDD-3000.
You can also use this to produce chorus or flanger-
like effects by setting a short TIME and using the
LFO to modulate it.
[1] "TIME" ..........................................3...2000 [ms]
* Sets the delay time.
[2] "FEEDBACK"......................................0.0...10.0
* Adjusts the amount of feedback.
[3] "TONE" ...............................................1.0...10.0
* Adjusts the tone of the delay.
[5] "SPEED"............................... 0.100...10.00 [Hz]
* Adjusts the modulation speed.
[6] "MIX"...................................................0.0...10.0
* Adjusts the mix amount of the delay.
5. SWEEP DELAY (SWEEP DL)
......................
Mono In/Mono Out 1
This also models the SDD-3000. Here you can
use the envelope of your guitar signal to control
the DELAY TIME, and by setting a short TIME
and raising the FEEDBACK you can produce a
distinctive flanger effect. Even with conventional
settings of TIME, you can produce unique effects
that would not be possible with an LFO.
[1] "TIME"........................................ 26...2000 [ms]
* Sets the delay time.
[2] "FEEDBACK" ..................................... 0.0...10.0
* Adjusts the amount of feedback.
[3] "TONE"............................................... 1.0...10.0
* Adjusts the tone of the delay.
[5] "SENS"............................................... 0.0...10.0
* Adjusts the sensitivity at which the effect
responds to the volume of your guitar.
[6] "MIX".................................................. 0.0...10.0
* Adjusts the mix amount of the delay.
6. STEREO DELAY (ST DL) .. Stereo In/Stereo Out 1
This is Korg’s 24-bit digital delay, the DL8000R.
With the exception of the sampling frequency
and wave control of the DELAY TIME, the circuit
is essentially identical. Since this is a full-stereo
design, it’s particularly effective to place it after
the output of a stereo MOD or REVERB effect.
[1] "TIME".......................................... 1...4000 [ms]
Sets the delay time.
[2] "FEEDBACK" ..................................... 0.0...10.0
* Adjusts the amount of feedback.
[3] "TONE"............................................... 1.0...10.0
* Adjusts the tone of the delay.
[4] "DUCKING"........................................ 0.0...10.0
* Adjusts the sensitivity at which the effect will
“duck” (decrease) in response to the volume
of your guitar.
[6] "MIX".................................................. 0.0...10.0
* Adjusts the mix amount of the delay.
HINT: Ducking: This automatically lowers the volume
of the delay sound when you play your guitar
loudly, allowing your playing to come through.
- Owner’s Manual 1
- Precautions 2
- Data Handling 3
- Table of Contents 4
- Quick Start 6
- Introduction 9
- VALVE REACTOR TECHNOLOGY 10
- AN OVERVIEW OF TONELAB LE 11
- THE TOP PANEL 12
- EDIT SECTION 14
- DISPLAY SECTION 14
- SETTING/GLOBAL SECTION 15
- BANK/PROGRAM/SELECT SECTION 16
- EFFECT CONTROL SECTION 17
- REAR PANEL 18
- BASIC CONNECTIONS 19
- USING THE S/P DIF CONNECTOR 20
- OUTPUT SETTINGS 21
- Playing ToneLab LE 22
- Programs 24
- SING THE THREE-BAND EQUALIZER 25
- NAMING A PROGRAM 26
- STORING A PROGRAM 26
- Explanations of 27
- Cabinet and 27
- Effect Types 27
- UBE TALK 28
- OWER AMP ACCURACY 28
- AMP TYPECABINET 29
- MODULATION 29
- DELAYREVERB Amp/Effect 29
- TONAL HINT: 30
- B. CABINET MODELS 31
- HAT GOES WITH WHAT? 32
- C. PEDAL EFFECTS 34
- 7. RING MODULATOR (RING MOD) 36
- D. MODULATION EFFECTS 37
- 38
- E. DELAY EFFECTS 41
- F. REVERB EFFECTS 44
- BLOCK DIAGRAM 45
- (Bypass, Mute) 46
- Using the 47
- SETTINGS (EXPINIT) 48
- CONTROL SWITCH SETTINGS 49
- ADJUSTING THE SENSITIVITY 50
- THE PEDAL 50
- Control via MIDI 51
- (GLOBAL “CCHG I/O”) 52
- GLOBAL “SYEX 52
- BACKING UP AND RESTOR 53
- PROGRAM DATA (GLO 53
- Troubleshooting 54
- Specifications 55
- MIDI IMPLEMENTATION CHART 56
- 0–119 0–119 57
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